Charlie Puth felt abandoned by Ellen DeGeneres’ record label because he heard nothing from anyone after recording his first demo…. Music in Video: https://www.youtube.com/watch?v=-Y56x2tdinQ&list=PLcYcHdLg4IVOm4uwjKTFjvF_QlIIIhXi8 BANG Showbiz 2022-10-09T09:00:00Z Charlie Puth felt abandoned by Ellen DeGeneres’ record label. The 30-year-old singer signed with eleveneleven in 2011 but after recording a demo for the company, everyone “just disappeared” and he received no feedback, though he insisted no one person in particular was to blame. Speaking after Greyson Chance recently claimed Ellen was “manipulative,” “blatantly opportunistic” and “way too controlling” after she signed him to her now-defunct label, Charlie told Rolling Stone Now: “We both have different experiences, me versus Greyson. “But I do agree with him that no one was present, certainly, after the creation of my first demo EP. Not putting any blame on one person, but from a collective… All the people that were in that room, they just disappeared. I didn’t hear from anybody.” The ‘Attention’ singer admitted he has never discussed the situation with the talk show host and has no problem with her personally. He said: “People describe Ellen as rude. I’ve never experienced that. Maybe she likes me.” And Charlie isn’t too upset that his early songs never saw the light of day because he was so inexperienced. He said: “I don’t know how good they are.” Greyson shot to fame after he appeared on ‘The Ellen DeGeneres Show’ when he was just 12 years old and had gone viral for a performance of Lady Gaga’s ‘Pararazzi’ [More]

Charlie Puth divulged details about his experience with working with Ellen DeGeneres’ music label in an interview with Rolling Stone. The 30-year-old Grammy-nominated singer signed ‘eleven eleven’ back in 2011. The comment came weeks after singer Greyson Chance claimed Ellen DeGeneres was “manipulative,” “blatantly opportunistic” and “way too controlling” after she signed him to her now defunct music label, per Entertainment Tonight. In the interview, Puth recalled his own unpleasant experience not long after he was signed with it. However, the Light Switch singer also mentioned that he never personally had a problem with the former TV show host but the team running it. “We both have different experiences, me versus Greyson,” Puth told the magazine. “But I do agree with him that no one was present, certainly, after the creation of my first demo EP. Not putting any blame on one person, but form a collective… All the people that were in that room, they just disappeared. I didn’t hear from anybody.” Rolling Stone reported that a source close to DeGeneres’ team didn’t recall anything as such happening and Puth also never discussed the matter with Ellen herself. “People describe Ellen as rude,” said Puth. “I’ve never experienced that. Maybe she likes me.” However, Puth added that he feels the whole incident turned out to be a blessing in disguise as he wasn’t as experienced and he wasn’t sure if the songs were good. “I don’t know how good they are,” he said. Back in September, Greyson posted a [More]

———————————————————————————————————– Please subscribe HERE: ► https://goo.gl/kSDJHA G+: ► https://goo.gl/LptbZi FanPage: ► https://goo.gl/pZfGJb Blog: ► https://goo.gl/okcpcT ———————————————————————————————————– Subscribe For Daily Content: https://goo.gl/kSDJHA Help ✦Life 4 Weekly✦ Reach Goal of 10,000 Subs!! ♡Thanks♡

What’s the price tag for keeping a roster of global superstars happy these days? For Hybe Corp., more than $230 million, the value of shares the South Korean music juggernaut has pledged to BTS, Ariana Grande and Justin Bieber, in addition to more than $100 million the K-Pop sensation has earned from music sales and touring. The shares, which Hybe says are for “inspiring morale,” have almost doubled since the Seoul-based company went public in October as Big Hit Entertainment. Big Hit, which was founded by billionaire Bang Shi-hyuk, set a precedent by offering equity to the seven members of the boy-band powerhouse that is now valued at more than $107 million. That puts the band’s total take as a Hybe group at more than $214 million, including $107 million of pretax earnings Forbes estimates the group has earned since 2018, when they blew up on the global music scene. For Bang, who has a net worth of $2.8 billion, it’s money well spent. BTS represented 87% of the KRW 290 billion ($260 million) Hybe reported for the first half of 2020. That reliance on one group is a key reason for Hybe’s $1.05 billion purchase of Scooter Braun’s Ithaca Holdings, which manages Grande and Bieber, and owns the record company, Big Machine Label Group that is home to Rascal Flatts, Sheryl Crow and Tim McGraw. The deal, which closes May 7, will bring Braun’s shares valued more than $103 million plus an undisclosed amount of cash. It’s the second [More]

#KanyeWest #GrammyAwards #KanyeTwitter Kanye West took to Twitter on Sunday to share his vision about what record deals should look like going forward amid his own ongoing legal battle to obtain rights to his music. In a series of tweets titled ‘NEW RECORDING AND PUBLISHING DEAL GUIDELINES,’ the rapper listed seven guidelines that labels should follow. The first guideline, according to West, is that the ‘artist owns the copyright in the recordings and songs and leases them to the record label / publisher for a limited term’. West then shared that the ‘record label / publisher is a service provider that receives a share of the income for a limited term. The split can be 80/20 in the artists favor’. He wrote that artists ‘must be dependent on no one but themselves to manage their catalog’. West encouraged the need for lawyers to ‘IMPROVE deals’ by creating ‘Plain English’ contracts. He said that the music industry should do away with ‘blanket licenses’. Follow me on Twitter: www.twitter.com/ugaman01