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Philosophy and Psychology of Joaquin Phoenix’s Portrayal of the Joker from Joker 2019.

This video discusses several philosophical themes, drawing upon the narrative and ideas presented in the movie “Joker.” Here are some of the main philosophical themes highlighted:

Reality and Perception:

The video explores the idea that our perception of reality is subjective and can be influenced by mental health issues, such as hallucinations caused by a brain tumor. It raises questions about how reliable our senses are in determining what is real.

Madness and Dissociation:

The narrative in “Joker” is analyzed as a meditation on madness, emphasizing the dissolution of the distinction between perception and reality. The protagonist’s descent into madness and the blurred lines between inner and outer worlds are central themes.

Ontological Insecurity and Solipsism:

The text delves into the ineffectiveness of psychotherapy and the breakdown of communication, leading to a sense of ontological insecurity. The idea that one may doubt the existence of oneself and others is discussed, contributing to a form of existential paranoia.

Social Injustice and Damnation of the Poor:

A critical examination of societal structures is presented, highlighting the impact of economic inequality and the denial of healthcare on individuals. The motif of rats is interpreted as a symbol of the marginalized and resistance to systemic extermination.

Empathy and Dehumanization:

The lack of empathy is explored as a significant motif in the movie, leading to mass destruction. The text references religious principles like “tat tvam asi” and the Christian idea of serving others to discuss the consequences of contempt towards the lowly.

Humor and Conformism:

The concept of humor is discussed, particularly in the context of Joker’s unconventional laughter that challenges societal norms. The distinction between fake laughter and the character’s authentic expression of humor is explored.

Absurdity and Dark Comedy:

The text draws parallels between Joker’s vision of life as a dark comedy and the reflections of absurdist playwrights like Eugène Ionesco. The question of whether laughter is demonic or divine is raised, connecting it to the character’s mental illness.

Revolution and Self-Transformation:

The idea of a schizoid character sparking insurrection is discussed, raising questions about whether one should fight oneself or the world. The text considers the Nietzschean notion that fighting monsters may turn an individual into a monster.

These themes collectively provide a philosophical analysis of “Joker” and its exploration of mental health, social issues, and the consequences of individual and societal actions.

R.D. Laing: Mentioned in the context of the ineffectiveness of psychotherapy and the idea of ‘ontological insecurity.’

Karl Marx: Referenced in relation to the motif of rats symbolizing the mass of the poor (lumpenproletariat) and societal issues.

John Stuart Mill: Mentioned in the context of the Christian idea that the greatest are those who serve.

Arthur Schopenhauer: Referenced in the context of the pessimistic interpretation of life and the idea that optimism is wicked.

Martin Heidegger: Mentioned in the context of humor and the dictatorship of conformism.

Eugène Ionesco: Referenced regarding the hopelessness of the comic and the connection between Joker’s vision of life as comedy and mental illness.

Umberto Eco: Referenced in the context of the question about whether laughing is demonic or divine.

Nietzsche: Paraphrased in the context of the idea that whoever fights monsters will surely become a monster.

Philosophy and Psychology of the Joker. Philosophy of Joaquin Phoenix’s Joker. Philosophical Themes in Joker.

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